Concept: 

how we are two is an interdisciplinary installation-performance that investigates flexuous binary relationships—masculine and feminine, queerness and normativity, West and East, white and non-white, organicity and manufacture, innocence and corruption, wholeness and wound. 

Set in the architectural verticality of a stairwell, the piece unfolds on the ground floor, inviting the audience to witness from above, evoking both surveillance and contemplation. A projected video acts as both an omnipresent force—hand, power, manipulation—and as a shifting canvas for live choreography. At times, it is a shadow, a witness, a stage. Wind chimes suspended in the space transform the dancers’ movements into subtle echoes that resonate across floors, threading sound, body, and environment together.  

The work asks: 

• How do we become in relation to another? 

• How do we belong, resist, transform, and reimagine ourselves within systems that divide? 

how we are two is a meditation on coexistence, duality, and the possibility of rebirth through embodied dialogue